Saturday, November 03, 2007

Fallacy # 4: The Usefulness of Art Depends on Its Philosophic Viewpoint


I have been discussing, for sometime now...(I know, perhaps too long), that the imagination, and art, convey truths. And that this has great benefit for us. But what are we to do when we run into a piece of imaginative art where the truth is not told? What do we do with the musical compositions of John Cage, whose nihilistic philosophy shaped his approach to composing? The answer for those who hold to this particular fallacy is that we throw it out! There is no value, they say, in works that do not tell the truth. The value is wholly dependent upon the artwork's worldview.

At one level we can appreciate this group's adherence to objective truth, and applaud them for not simply lumping all art together as present viable options for truth. On the other hand, their view is extremely narrow and misses a key feature of all artwork. As Leland Ryken writes, "Works of art clarify the human situation to which the Christian faith speaks, even if their interpretation of reality is wrong."

Art, whether it is visual art, music, or literature, tells us something about the people who create and enjoy it. A painting paints for us a picture of the thoughts and feelings, and values of the culture. If Christians wish to have relevant ministry to their neighbors they can learn something from their art. Picasso's painting Les Demoiselles d'Avignon reveals a man who had shifted his thought from humans born in a state of innocence to the loss of humanity (observe the picture moving from left to right). Of course Christians deny this to be true...the fall did misshape humans, but we still bear the evidences of being made in the image of God. But this does tell us something about the deeply depressed soul of a man.

Art's value far exceeds its philosophic viewpoint (not that it should be ignored or downplayed. Art tells us about the world, art furthers thoughts about specific worldview points, and art, even with its sometimes fallacious views, can be of good to Christians for evangelism, apologetics, and general life in this sinful world.

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Friday, September 07, 2007

Rock N' Roll Grace



It is arguably the most famous hymn in the Christian tradition and more non-Christians know it than any other: Amazing Grace. The author of this august hymn is John Newton (1725-1807), an 18th century English Puritan. The hymn has been used, however, in various songs throughout history since its publications, for example: The American rock band The Eagles used it as the chorus to "Peaceful Easy Feeling". The most recent use of the song is in a particular track from a Christian alternative band: The Almost.

In their song "Amazing, Because it is" lead singer Aaron Gillespie sings those famous words:

Amazing Grace, How Sweet the Sound, That Saved a Wretch Like Me.
I Once Was Lost But Now I am Found.
Was Blind, But Now I See.


One can't help but wonder what Newton would think of his words being used in rock music. The period in which the whole collection of The Olney Hymns was written was one of both sobriety and exuberance. Between the Old Dissenting Anglicanism, and the revivalist Wesleyan Methodism there was a mixed bag of spirituality. Newton fit somewhere between the two, and neither he or his hymns were stringent or "charismatic," so to speak. So what does all of that mean for the use of Newton's classic hymn in modern rock?

Well of course I can only speculate what John Newton would think, and most likely he would say something more profound and impressive then I will, but I am inclined to think he would have some mixed feelings. On the one hand he would be pleased to see solid theology being disseminated to the masses, and yet he would probably find it inappropriate to put that theology in music that had roots in entertainment. I would like to think, however, that as culture has evolved and music along with that, that Newton could see that rock n'roll has since become a viable expression of worship. Perhaps, not the best, but nonetheless a viable option, and while neither he nor I would condone it for the corporate worship setting of the local church it can be a great expression of the souls longings, cries, and even direct us godward.

So perhaps Newton wouldn't rock out in the mosh pit, but he might, in his closet, say to this generation of Christian rock, "Rock on brothers, rock on!"

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